The Western Art
of
Frank Allnutt

        
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End of the Trail on Colorado Sandstone
Giclee on Artist's Canvas, mounted on Colorado Sandstone (approximate overall size: 16.5"x20.5"), of original photo/illustration by Frank Allnutt, based on the sculpture by James Earle Frasier. Ready for hanging, with two nylon web and steel ring hangers.
Frank Allnutt giclees are Museum Quality, individual
digital enhancements of computer-scanned photos/original art. We use eight Ultrachrome
K3 pigmented ink colors with lightfast rating of 108 years. Images are
printed in high-resolution on artist's canvas and museum-varnished
to further help protect against ultraviolet rays and humidity, and to
preserve the color values.
Giclee on Canvas on Colorado Sandstone (approx. overall size: 16.5"x20.5")
$355 Sale $295

End of the Trail
Giclee on Artist's Canvas of original photo/illustration by Frank Allnutt, based on the sculpture by James Earle Frasier.
Canvases, in select sizes, are available flat, or stretched on wooden stretcher bars, with optional Hand-Crafted, Beetle-Killed Pine Frame similar to the one above. Frame adds approximately 6" to both height and width of stretched canvas. Flat canvas has a minimum two-inch white border to facilitate stretching, and is shipped rolled in a mailing tube.
History of the "End of the Trail" by James Earle Frasier
This doleful image of a battle-weary brave on his war pony is one of
the most recognized symbols of the American West. By many it is viewed
as a reverent memorial to a great and valiant people. To some Native
Americans, however, it is viewed as a reminder of defeat and subjugation
a century ago.
The monumental, 18" plaster sculpture was created by James Earle Frasier for San Francisco's
1915 Panama-Pacific International Exposition and received the exposition's
Gold Medal for sculpture. The subject of immediate popular acclaim,
the image was widely reproduced in postcard, print, curio and miniature
form.
Although Fraser hoped his masterpiece would be cast in bronze and placed
on Presidio Point overlooking San Francisco Bay, material restrictions
during the First World War made the project impossible. Instead, in
1920, the city of Visalia, California, obtained the discarded statue
and placed it in Mooney Park, where it remained, in a gradually deteriorating
condition, for 48 years. In 1968, the National Cowboy & Western
Heritage Museum acquired this original plaster statue, restored it to
its original magnificence, and made it a focal point of the museum.
Fraser regretted that he never copyrighted the sculpture.
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